14-18 october 2009, AAMU/Flatland Gallery/Academiegalerie

The passing of time is something we feel intimately familiar with, and yet it continuously slips away from us.
Centuries ago, St. Augustine already pointed out that tension: “What is Time? If nobody asks me, I know: but if I were desirous to explain it to one that should ask me, plainly I know not.” The invention of clock time provided a partial solution: time was rationalised, adjusted to the rhythms of growing industrialisation. This transformation – symbolically completed with the introduction of standard time and the division of the world into time zones – resonated deeply in our social and cultural lives. The experience-based understanding of time was replaced by a rigid, linear and numerical logic which has gradually become embedded in our subconscious. The arrival of ICT and globalisation has pierced this unilateral and troublesome relationship. Ironically enough, the dawning of the computer age –the main source of today’s acceleration – has allowed for new perspectives on the role and potential of time.
This exhibition takes that openness as a starting point and presents a series of works which each in their own way strive for a particular time awareness. Different dimensions of time, both social and natural, objective and subjective, are unfolded, deformed and combined, in search for new forms of perception and imagination of time.

With works by Julieta Aranda, Jonas
Dahlberg, Vadim Fishkin, Glenn Kaino,
Guy Sherwin, Thomson & Craighead,
Guido van der Werve.