CD-Roms

Technophobia, Dooley Le Cappellaine (US, 1996)
Loki, Peter Simon and Anselm Weidmann (Germany, 1997)
Zeroman, Dan Zero and Raimond de Weerdt (Australia, 1997)

Artintact 3, Zentrum für Kunst und Medientechnologie Karlsruhe (Germany, 1996)
Including: ‘The Sub-Division of the Electric Light’ from Perry Hoberman and ‘Slippery Traces’ from George Legrady.

Artintact 4, Zentrum für Kunst und Medientechnologie Karlsruhe (Germany, 1997)
Including: ‘Troubles with Sex, Theory and History’ from Marina Grzinic and Aina Smid,
‘Trance Machine’ from Anja Wiese and ‘Continue’ from Dieter Kiessling.

Mutations, Gisela Domschke and Fabio Itapura (GB, 1997)
Beyond, Zoe Beloff (US, 1997)
Urban Feedback, Sophie Greenfield and Giles Rollestone (GB, 1996)
House, Joost Grootens (The Netherlands, 1995)

Kunstgras, Karin Meijlink (The Netherlands, 1997)

Websites

The Persistent Data Confidante, Paul Vanouse (US, 1997) www.crca.ucsd.edu/~pdc
Chant, Sue Johnson (US, 1996) www.picture-projects.com/chant.html
You Me And, Erwin Redl (US, 1997) www.hotwired.com/rgb/redl
Jodi, Joan Heemskerk and Dirk Paesmans (The Netherlands, 1997) www.jodi.org
INTIMA Virtual Base / Creative Intimate Lab: Free Your Mind and the Rest Will Follow, Igor Strojmajer (Slovenia, 1998) http://www2.arnes.si/~ljintima2/