Here, love is entrusted to videotape or celluloid in three different ways – the camera functions as a confidant for amorous insecurities and disillusionment, as an instrument for the obsessive perpetuation of promise of love, or else as an imaginary lover.
Bayou, Dina Ciraulo (USA, 1997, 16 mm, 6:40)
Joan and Stephen, Monique Moumblow (Canada, 1996, video, 12:00)
Emily Died, Anne Charlotte Robertson (USA, 1997, video, 26:49)
Vedette, Miriam Kruishoop (The Netherland, 1997, 16 mm, 13:00)
Loverfilm, Michael Brynntrup (Germany, 1996, 16 mm, 21:30)