PANORAMA Film and Video
— 7 October 2001
This year Panorama Film and Video is divided. into 15 programs with short films and videos. All the. works have been divided based on Curren topics. The programs will be shown in the cinema of the Centraal Museum, in a specially designed lounge within the museum. From Wednesday to Saturday, an open-air projection will be provided from the KINOmobile, a specially designed caravan in the garden of the Central Museum. The screenings will all begin at 20:00. Snacks and drink will also be served from the KINOmobile. Before and after the screenings, records will also be spun. Your hosts Kees Brienen and. André Noorda guarantee some good old camping entertainment. In addition, a videotheque has been set up in the museum, where special titles from the festival program can be viewed individually. As an extra programming Sami Martin Saif’s documentary “The Video Diary of Ricardo Lopez” will be shown in the cinema.
A Long and Winding Road
Videos and films about traveling, moving, unknown places and a view of the outside world as seen from a car window. Lean back and let yourself be carried down windy roads, towards exotic destinations. Yet no matter how adventurous and attractive travel may seem, unexpected things can happen on the way, sometimes before you’ve even left. Here is a program that addresses the longing to leave everything behind and look for adventure, yet also the familiar fears of the unknown and the difficulties of travel itself.
Rewind [n:ja]
May Way Peter Westenberg
Driving Dan geese.
13 Paashazen Helmut Dick
Combi-Accion-Papel Juan Diego Vergara Ormeno
GT-Granturismo Gunther and Loredana Selichar
Wandertrieb Janneke Küpfer
Du Moteur à explosion/ Full throttle engine component Dominic Gagnon
BACKSPACE
About collective and personal memory and the phenomena of time. In this block of videos, ingenious attempts are made (sometimes against better judgement) to bring time to a standstill, turn it backwards, or otherwise manipulate it. Making use of found footage, artists make an appeal to collective memory. Other works address the more formal qualities of memory, for example in a hypnotic variant of the memory game. And sometimes melancholy and anguish set the tone, for example when red chewing gum can invoke lost love.
Fragmenten Uit Het Huis Mevr. Mihai Vava Stojadinovic
Red Chewing Gum Akram Zaatari
King of the Jews Jay Rosenblatt
Going back Home Louise Bourque
Et Le Cochon Fut Né Julius Ziz
Stereo: 30 drones for television #0 Cane CapoVolto
The Back Steps Leighton Pierce
CLASH OR JAM
Music videos and videos about music: a varied compilation of short productions in which rock music and the interaction between sound and image are the focal points, from likeable do-it-yourself products to complex, processed computer video. Some works are about the pure relationship between music and image, in which each strengthens and supplements the other. Other videos are short statements that comment upon lyrics, certain lifestyles and childhood memories.
Viv Gunzie David Haines
God Save theQueen Vedova Mazzei
Advice Tony Cokes
Another Tribute to the Sex Pistols Pedro
Comunista Jim Finn
Female Clouds Ivan Civic
Bumble Bee Dan Geesin
Most Beautiful Girl Jimhan Ko
Recruitment Video Ann Course and Paul Clark
Blue Squirrel Dan Geesin
Highway of Crime Eliane Schott
Big Dog Dan Geesin
Endeka D-Fuse
Bouncing Dan Geesin
Danse Macabre. Persijn Broersen and Raymond. Taudin Chabot
Twee Einden Dan Geesin
In my Slipstream Angela Hanke-Wahls
The Girl from Ianema – the Chinese version Manfred Pollert & Die angefahrenen Schulkinder
CLOSE ENCOUNTERS
Analogous to what is happening within all the disciplines, the practitioners of the seventh art enjoy referring and reacting to film history. This often leads to odes to idolised cineastes or the expression of a personal vision on our cinematic legacy. Sometimes the result is fun without pretentions in the intentionally clumsy remake of a hit movie. Alongside the actress who does her best to give an imperfect imitation of Robert De Niro is the man who, in spite of himself, succeeds in truly becoming Robert Vaughn. And in contrast to the films that announce themselves with so much bravura without ever wanting to get off the ground, there are the found films which disappear due to treatment by their new owners.
Flesh Eaters Joep van Liefland
Now I am Yours Matt Hulse
Shudder (top and bottom) Michael Gitlin
Titanic Pedro
(W)hole T(r)ou Frédérique Devaux
Kein Film/ No Film Michael Brynntrup
Blackout Michael Maziere
New Antic Semiconductor
Next Generation (Vanishing point) Harald Busch
Even Lovers Have Still Lives Katherine L. Burdette
Betty Talks Anita di Bianco
Il Magnifico Sette Paolo Pisanelli
Black Box 2.1.003, 2.2.013 and 2.1.008 Matthias Fitz and Gunter Krüger
CUTTING THE CRAP
The. dominant presence of television provokes resistance from many artists. In their work, they react to a media that’s ruled by commerce and formulas. Subversive to a media that’s ruled by commerce and formulas. Subversive montages and satirical imitations are the methods employed here, yet following in the shoes of detested predecessors turns out to be a bit more difficult than assumed: cut! Take twenty…
Parabol FLora Watzal
Candide John Davis
Sex, Love & Kung Fu. Kip Fulbeck
Special Report Bryan Boyce
Triumf Seth Price
NARRATIVE IMMERSION
The artists in this program opt for a more spatial. approach in order to tell their stories. For the creation of tension, conflicts, and opportunities for identification, a compulsory timeline isn’t necessary. This leads to the viewer being taken through film and video spaces, as well as environments and atmospheres, enabling him to expose the “real” stories that may be lurking here, or even surrendering himself completely to the world. he discovers here on his own.
In Absentia The Brothers Quay
Z.T. Joechem Tames
Monstruos Gurus Rubén Gutiérrez
15.000.000 Parachutes Sebastian Diaz Morales
Mudchute Owen Oppenheimer
DAILY OPERATIONS
Daily operations shows the wonder and absurdity of the everyday. In these works, the world is observed up-close under a magnifying glass. We are witnesses to a personal outpouring, and find ourselves amazed by unexpected absurdity in familiar situations. In the process, the artists often direct themselves towards the audience. From video diaries, via a surreal ride in a tram, to the beauty of the imperfect and melting chairs in the garden.
Eine Kurztrecke (A short ride) Jeroen Koiijmans
Gezocht Pia Wergius
Sad Disco Fantasia Steve Reinke
Message to my Best Friend Alan Currall
Amsterdam Camera Vacation Steve. Reinke
Voorbereidingen Tot Luisteren Guido Rainier van troost
Ligth My Fire Pedro
16 minutes lost Phyllis Baldino
Experience Stephanie Hamaide
Being Fucked Up Emily Vey Duke and Cooper Battersby
Zondagmiddag Helmut Dick and Ruben Bellinkx
FOLKY FOXTROT
Expressing national and/or ethnic identities in art is seen as rather problematic. Film and video as a display of national emblems or controversial ideologies reeks of dubious propaganda. Yet in these videos, the communist battle song and fascistic telephone terror don’t directly lead to manipulative media documents. Nor do the artists intend simply to ridicule a given nation’s pathos. Instead it seems what they want to get across is that there’s a whole spectrum of national majesty between xenophobia and folklore.
More Lost Than Gained Effie and Amir
El Güero Jim Finn
Cure Killu Sukmit and Mari Laanemets
Gruss Gott Östereich Bernadette Huber
Cold Mind, Hot Heart and Clean Hands Stefan Rusu
Droomjagers Kostana Banovic
The Name of the Game Aleksandar Karisik and Dragan Zivancevic
Sweet of Spicy? Kip Fulbeck
Macau Handover Hanspeter Ammann
Que Lindos Son Tus Ojos Alvaro Zavala
IMAGINARY EXPERIMENTS
The poetically attractive power of science can undoubtedly produce wonderful art. Genetic technology, quantum mechanics, brain scans, and imaginary experiments lead in this block to breathtaking journeys through mental and video spaces. Where science is limited by the shackles of objectivity, art can more freely of rules and laws. “This is the way true poets create and then understand…sometimes” (H. Michaux)
Ich Bin 33 Jan Peters
Ascii Alphabet Dorion Berg
The 100th Undone Jacqueline Goss
5 Minute Break Kristin Lucas
N+1 and the Revolution of 3, Or how intelligence became artificial: Functional intelligence Guido Rainier van Troost
Involuntary Reception Kristin Lucas
Csoda Pòk panOptic
Planetarium Nelson Henricks
NAKED SUIT
Cameras and art seem easily able to open doors to places that are otherwise difficult to reach. These two phenomena allow the audience to take part instantly in a virtual (though secret) ritual of suicides. Obscure old men assume ugly poses, as the onlooker is witness to the kindness of passerby who gratify an Asian filmmaker with a French kiss. Shameless attention to intimate experiences can sometimes lead to painful spectacles and unexpected beauty. Yet if fear of the borders between the ethical and unethical, the public and the private, had made these filmmakers reluctant to create these films, then these events would probably have remained a secret to us forever.
Vital X: Kissing Project 1999-2001 Yoshie Suzuki
PDOA Public Display of Affection Guillaume Graux
Schattengrenze Gunter Deller
I Win! Chris Bors
Wrap Donigan Cumming
The Dutch Act Fred Pelon