Marilyn Times Five, Bruce Conner (US, 1968-73, 16 mm, 13:00)
A very young Marilyn Monroe (perhaps) in a beautifully grainly celebration of – and elegy for – a famous voice and body.

Justify My Love, Mike Hoolboom (Canada, 1994, 5:00,16 mm)
A once-scandalous music video with a more scandalous fantasy in text at the bottom of the screen.

The Murder Mystery, Dietmar Brehm (Austria, 1992, 18:00, 16 mm)
Pornographic footage woven into a murky, enigmatic narrative of sex and violence.

That’s What We Do To Dogs, Jayne Austen (US, 1991, 16 mm, 10:00)
By leaving this porn footage unchanged, Austen challenges us to respond to it critically rather than viscerally.

All You Can Eat, Michael Brynntrup (Germany, 1993, 35 mm, 5:30)
A clever reminder that actors in porn films have faces too.

Tr’cheoťmy P’y, Julie Murray (US, 1988, super-8 mm, 3:30)
“There is little difference between the rhythm of the pornographical sexual encounter and that of the cartoon sports characters.” (J. Murray)

Frank’s Cock, Mike Hoolboom (Canada, 1993, 16 mm, 8:00)
“A work of mourning and humour” (M. Hoolboom), the film’s images include gay porn and Madonna’s banned video “Erotica”.

Sodom, Luther Price (US, 1989, super-8 mm, 15:00)
The transmutation of images from pre-AIDS gay pornography produced a work that is visually lavish, deeply disturbing – and extremely controversial.