Mudchute explores time as a force of acceleration and decay. Through motifs of rewinding, commuting, and teeth falling out under stress, the film connects human experience to biological impermanence. Techniques of repetition and rapid montage evoke accelerationism and post-humanist concerns, framing temporality as both mechanical and corporeal. Time is propelled forward relentlessly, exposing the fragility of the body and the instability of lived experience, transforming ordinary stressors into markers of inevitable decay. In doing so, the work visualises how temporal pressure and corporeal vulnerability intersect, rendering the passage of time as both relentless and intimate.